#WritersLife was the first thought I had when I woke.  But I couldn’t shake the deep depression taking control of me.  I felt an immense sadness.  It felt like I was so inadequate that I didn’t matter to anyone.  My life was so pointless and meaningless that no one would ever want to connect with me enough to care about my life.  My mind kept circling around about how shitty a human being I was and how it didn’t matter what I thought or felt.  My chest was heavy, shoulders sunken, and I could feel the length of my jaw pulling downward.  I had little energy.  Just enough to zombie through the last two days.

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Let’s say you’re in the office and you’re telling a story about someone.  First you talk about what the person did. Maybe it’s something juicy, like a secret infidelity with a prison inmate, or maybe it’s something subtle, like they moved away from home.  Then you go on to tell about something more recent, like, “Just the other day she was caught using her work phone to talk to this guy in prison.”  This is the offbeat writing technique of the first person peripheral.

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My father was am immigrant from Mexico.  My mother a full blood Kiowa/Cherokee from Oklahoma.  They worked the peanut and cotton fields when my sisters and I were young.  I remember ducking the large rolling water sprayers in the fields; I remember the heat coming from the dirt onto my bare feet; and I remember living in abandoned farm houses in the Oklahoma fields.  Let me tell you about cold nights.  No, better yet, let me tell you about the warmth you can have from the thin layer of a blanket.

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I don’t denounce structuralism.  Every time I watch a Disney or Pixar movie with my daughters and tears start welling up in my eyes by simple structural tactics, like music and camera angles, I’m reminded there is a reason it works.  But I’m a literary writer and we are defiant bastards and we like to take structuralism and bend it our will.  So we can look in the mirror and say to ourselves, “The industry will not make me a slave.”

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So what do you do when a character is powerless?  The first thing I tend to do when I’m looking to solve problems in my storylines is to turn to my immediate surroundings.  For some reason, and I’m not sure where I got this from (possibly through reflection in the early mornings as I sip my coffee), I started to realize or assume or maybe just consider that all dynamics of story or narratives are in constant mimesis, so…if there is something missing in my story or novel (as is the case now) I start to look for signs and solutions in my daily interactions—in my immediate.  I believe I’ll see the same thing, conceptually, happen at some point in the day if I just pay attention.

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Like angels and devils breading hordes of bastard monstrosities, the impetus for the type of stories I like to write comes out of the comingling of two polar opposite ideologies.  One is quite happy frolicking with idealism and innocence, while the other takes great pleasure in torturing countless victims.  Together they make for unpleasant friends.  The type to cater to your highest morals and simultaneously use those morals to bash you into the dirt.

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The publication game is a beast with a big appetite.  You’ve been there.  You submit to this journal and then to that journal or a whole list of journals.  Maybe you’re like me and you create tiers of journals and cycle your short stories through rejection after rejection.  What’s the price we’re paying?  No, I don’t mean the soul crushing price, but that will make for a great post in the future.  I’m meaning, sad to say, the actual dollar bill cost for submitting your soul to the highest bidder.

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The most dangerous thing you’re going to do is drive.  Because of the frequency in which we drive and the comfort we get from believing we’ve mastered techniques to maintain proper focus, we get into that “conscious incompetence” space where we increase our likelihood of being in an accident.  Similarly, I seem to find myself doing the same with my writing, driving on automatic.  I’m cruising along and I’m not paying attention to my surroundings.

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