I’ve been promoting my writing on my Twitter account for a few months now. Slowly but surely I’m getting more and more engagement and I’m nearing the cusp of 9K followers, and hoping to hit the 10K plus realm within a week or so. One of my followers, and now a tried a true fan, read through each of my short stories and came up with an interesting descriptor of my writing: hyperlocal.
There are two things most dangerous: apathy and stagnation. For me? The former leads to the latter. It’s a cycle of violence I’ve always struggled to overcome. It’s like when I’m gourd dancing with my family, and I’m trying to predict by cadence and rhythm the switching of the beat so I can anticipate the appropriate next move–a move which keeps me in sync with my community but ultimately with my choices.
Let’s say you’re in the office and you’re telling a story about someone. First you talk about what the person did. Maybe it’s something juicy, like a secret infidelity with a prison inmate, or maybe it’s something subtle, like they moved away from home. Then you go on to tell about something more recent, like, “Just the other day she was caught using her work phone to talk to this guy in prison.” This is the offbeat writing technique of the first person peripheral.
My father was am immigrant from Mexico. My mother a full blood Kiowa/Cherokee from Oklahoma. They worked the peanut and cotton fields when my sisters and I were young. I remember ducking the large rolling water sprayers in the fields; I remember the heat coming from the dirt onto my bare feet; and I remember living in abandoned farm houses in the Oklahoma fields. Let me tell you about cold nights. No, better yet, let me tell you about the warmth you can have from the thin layer of a blanket.
The fangs of a snake might seem to overpower the fangs of a spider, and on the surface it can appear as though the match is uneven. But we can’t forget the impulsiveness of the snake and the patience of the spider. And we must remember a black widow sits nicely on the tongue of a viper. Its patience is beyond the fast acting poison in its bite.
“There’s not much culture in this writing,” I’ve heard students say when critiquing student work or reading the novel of a Native author. Or they’ll say, “It looks like the main character is having an identity crisis,” and it can sound dismissive, but there’s something we have to understand about most Natives: We move deep into the center of culture and back to the periphery like an ocean in symbiosis with the moon.
One of my favorite lines in The Crow is when Eric (Brandon Lee) has T-Bird (David Patrick Kelly) duct taped to the drivers seat of his car, as its filled with explosives and aimed at a pier leading toward a harbor. T-Bird can’t believe Eric has come back to life as The Crow and as he struggles through whimpers he says, “Abashed the devil stood and felt how awful goodness is.”
Revision is a little punk b#?ch! There I am toiling away on the second draft, almost to the end of the novel and starting to think about characters in the novel (mentally preparing for the “sweeps” portion of my revision process), and then I come to realize my main character is an asshole.
We writers area equal parts ego and vulnerable. The cliché is to develop a “tough skin” over the years and be able to take criticism. But we all think we’re geniuses, and we are. Brilliant beasts who are magical at hiding our softest parts behind a shield of “I already know” and “You just don’t understand the work.”
“I gotta keep my Capricorn mind straight,” said the planet of Saturn to the writer writing this post. Okay, so that first sentence had a weird third person shift–almost like a third person shift to a different third person gear, but the first third person perspective was oddly different from the latter, which was equally bizarre but uniquely awkward. See what I mean? I do need to keep this Capricorn mind straight. Saturn was right.
I said it before. The last grade I completed was the sixth grade. Then later in life I went on to obtain a Master’s Degree. I think a lot of it had to do with riding waves. Not in the ocean. I’ve never been daring enough to take on those types of challenges. But riding waves of opportunity. Sometimes I look back and it’s interesting to see how it all lined up and came to fruition, as though in symmetry, like musical notes being plucked from the strings of a guitar. In time and rhythm it can make a beautiful song.
Getting bogged down in the muck is an artist’s nightmare. You’ve done the initial work. Maybe you painted the paintings, recorded the songs, or wrote the novels, and then you have to take the creation and offer it to world. Just when you thought you were done. There’s a million more hurdles.