I can’t tell you how grateful I am to be able to read for my debut novel. Many writers don’t get the opportunity to record for their own audiobooks. Because my novel is polyvocal and comes from the heart of tribally specific communities, Kiowa and Cherokee, I was more than happy when Algonquin Books asked me to read for the male characters in my debut. Moreover, they hired a Native actress to read for the women characters: Rainy Fields.Read More »
Tag: Creative Writing
Mona Susan Power’s Praise for Oscar Hokeah’s Debut Novel: CALLING FOR A BLANKET DANCE
You have to understand how big of a fanboy I am. When someone asks me for a book recommendation, Power’s story collection, ROOFWALKER, is usually the first I name. It captures perfectly the flux between community/reservation life to an urban Native experience. I have a special love for the book because I taught it in my Native Lit class at the Institute of American Indian Arts. This was back in 2013 when the then Head of Creative Writing, Evelina Zuni Lucero, asked me to adjunct for a semester. When I compiled my list of Native fiction to teach, Mona Susan Power’s book was at the top.Read More »
Novel DNA: How Writing Chapters can Change the World
What to do with a great idea? Let’s sit down and map out a novel. Writing in the dark is a popular way of writing short stories. We get an idea. We pull out the laptop. We write until everything is on the page. As we write, we don’t know where the story will lead and this suspense and feeling of surprise keeps us writing, it builds adrenaline, and keeps us guessing as we finish a story. But there may need to be a different approach when it comes to a 25 chapter novel.
Lies, Love, & Magic: How Voice was Hijacked by Editor Mysticism & Workshop Critique BS!
The sought after and mysterious “voice” of writing. You watch editors salivate like Derridean defeatists about how magical voice can be when it “makes your foot tap to the rhythm.” Aww, how romantic. We are lovely romantic beings who need magic in our lives. Well, I’m about to take the magic out of the what, where, and how to find a literary voice.