The Crocodile, the Goat, and the Unicorn: Unique Approaches to Character Development by Unifying Karpman’s Drama Triangle, Evolutionary Astrology, and Stanislavski’s Method Acting

There I am, like you, and so many writers, sitting at my computer and starting a new writing project.  I'm drawing up characters because this story has been running through mind for years and it's finally ready to go onto a page.  Since I already have a working idea of who my main character is [...]

Colloquial Traits in Tribal Regionalism

Often I sit here in front of this computer and think about how to capture the voice of a narrator.  Voice is the darkness around the thief, his soft footsteps, and his choice of victim.  There is nothing innocent about what we writers do.  We're persuasive colonizers seeking to intrude on your sensibilities.  We're convincing--softly [...]

When the Community has a Voice

Let's say you're in the office and you're telling a story about someone.  First you talk about what the person did. Maybe it's something juicy, like a secret infidelity with a prison inmate, or maybe it's something subtle, like they moved away from home.  Then you go on to tell about something more recent, like, "Just [...]

Main Character Slam, Drop, Kick!

Revision is a little punk b#?ch!  There I am toiling away on the second draft, almost to the end of the novel and starting to think about characters in the novel (mentally preparing for the "sweeps" portion of my revision process), and then I come to realize my main character is an asshole. I toil, yes.  [...]

#1 Writing Rule: Be Teachable

We writers area equal parts ego and vulnerable.  The cliché is to develop a "tough skin" over the years and be able to take criticism.  But we all think we're geniuses, and we are. Brilliant beasts who are magical at hiding our softest parts behind a shield of "I already know" and "You just don't understand [...]