Cherokee Actor: Kholan Studie Starring in Short Film "The Dark Valley"

You have to respect an artist for taking bold steps. That's what we do. We're here to capture the harsh realities and interpret those realities for purposes of entertainment, as well as processing tools for deep intellectual thinking. When I cross artists who are willing to truly reach deep inside themselves to find an honest portrayal of the world, I immediately recognize game. These are the real ones. The ones envied by the weak, the unwilling, the carcasses of outdated memories.

When I heard Kholan Garrett Studie starred in a short film titled "The Dark Valley," it immediately peeked my interest. The landscape is set in Los Angles, and the film style is a hyper blend, and it's bold. I'd call it Film Noir meets French New Wave and Dogme 95. It's unflinching. Bitter sweet and succinct.

As you already know, Kholan Studie is the son of the Academy Honorary Award winning Cherokee actor, Wes Studi, and he also happens to be the grandson of Jack Albertson, who won an Academy Award, and was forever remembered for his role on the 1970’s hit television series “Chico and the Man."

I was approached by the film's director, TJ Morehouse, who is originally from Pryor, Oklahoma before he transplanted into the film industry, traversing on both the east and west coast. He is a 27 year veteran in entertainment and has served in many roles. He sent me a private link to the "The Dark Valley," and I felt lucky to have an opportunity to view this film. It will be shown for audiences for the first time on September 11, 2021 at the Burbank Film Festival.

During an interview with the Tulsa World, Morehouse said, “We have won or placed in all film festivals that have accepted us and we have applied to almost 70 festivals in total including Sundance, Slamdance, SXSW, Austin film fest and Writers Conference, which we almost won in 2018 with the screenplay ‘June in California,’ and other prestigious festivals.”

"The Dark Valley" captures perfectly a contrast to human idealism, where we must examine the darker parts of our perpetual slumber, where we jolt out of the most beautiful dream to wake in horror at the truth of our surroundings. Kholan Studie's character must come to terms with the underbelly of Los Angeles and his own psyche living within such sharp contrast between dark and light.

Morehouse uses voice-over along with black-and-white cinematography to create the noir feel for the film. It immediately sets the dark tone and keeps the audience guessing. In fact, it's the blend between the mundane and the subtly disturbing that makes the ending of the film both perfect and shocking. It all makes sense, but it'll catch you by surprise. Morehouse does a beautiful job of distracting and enticing the audience along.

Between Kholan Studie's acting and TJ Morehouse's directing, "The Dark Valley" is sure to continue to win awards. I sing praises for the film and admire the bold and striking artistic style. And it seems fitting to be making the rounds at film festivals as the new FX/Hulu series "Reservation Dogs" delights audiences with dark comedy. Not only does the short film star a Native actor, it also dares to be original, and dares to provoke the soft underbelly of the American Dream.

Overcoming the Criticisms of FX/Hulu Series "Reservation Dogs"

First off, none of us live in the village of the happy people. Secondly, if there was such a story, no one would read nor watch it. Because it'd be a bunch of BS. One of the many pleasures of engaging with art, whether it be film, literature, or the various branches of studio arts, is the freedom we have to think critically about what we consume. When I heard about the series, Reservation Dogs, coming from FX and Hulu, I was excited to watch. I'm always pleased to see Native faces and Native communities in popular culture--especially when it showcases our resilience. We're a beautiful people with unique experiences to share.

I didn't get an opportunity to watch the first two episodes until several days after its initial release. I got caught up in the hype and heard a ton of positive comments. Natives were excited to watch. Finally, a popular representation of ourselves in media.

Then I started to hear the initial criticisms, like Natives being depicted as criminals and a disparaging outlook on community. Furthermore, is this misery porn for audiences who want to see Natives attack other Natives? Folks were also wondering about the sense of community pride and the representation of strong family networks. Moreover, where was the saving grace of cultural participation? There were also criticisms about how the characters don't have Oklahoman accents, which is very distinct.

I don't want to devalue these observations. I think Natives are making some valid points.

There are a few things to keep in mind. Firstly, this series is just starting. It can take several episodes to get into the depth of the storyline. Truly, there is plenty of time for the familial elements to develop. Similarly, hyperlocal Muscogee culture will likely rise to the top as the series continues. It's too early to say what is missing overall. It's like reading the first chapter of a novel and then criticizing the entire book without reading to the end. We, as an audience, don't know yet what will play out as the season moves forward.

When it comes to the criticism about depicting Natives as criminals, I think the show does attempt to show the characters' humanity. Their intent isn't malicious. These are not vicious criminals. Moreover, the creators are touching on an aspect that does exist in our communities. Especially when it comes to violence between youth. We can all attest to gang related activities in our Native communities. Being a published writer myself, I also understand the method of structuring a story with characters at either a low point or a high point. If you start the story with a high point, then you can only spiral downwards. I think starting Reservation Dogs at a low point is a good sign. Now if the characters stay at that low point, then that's a different situation altogether. But like I mention above, the series is still too early in episodes to make that criticism.

I want to take care of this whole "misery porn" BS now and forever. We, as artists, are ascribed to capture life as we've experienced it and transform it--not only as entertainment but as an opportunity for audiences to self-reflect. Like I started this post, none of us live in the village of the happy people. We, as artists, don't have control over an audience's reasons to engage. We have control over how we engage our communities for critical thought and discussion. If people want to make a "misery porn" criticism, then that should be directed at consumers--not creators--to think about how and why they engage with Native art. All in all, it's a great opportunity to have a thoughtful discourse and grow.

Lastly, I'd like to take on the issue with the Oklahoman accent. True, the characters don't have the distinct accent we from Oklahoma expected. I live, work, and love in Oklahoma so I get it. But what we need to keep in mind is that this series isn't "only" for Oklahoma Natives. I'd describe the Native accents used in this series as a "non-regional NATIVE" accent. It's more of a universal Native accent. We do hear it in Oklahoma, like other parts of the United States, but ours is spiced up with a lovable Okie twang. I think the creators did the right thing. The non-regional Native accent makes the show more appealing across the board. It also shows the commonality we have with a shared colonial history, while still accessing a beautiful and unique hyperlocal Muscogee reality. I say well-played to Sterling Harjo and Taika Waititi.

I'd like to leave folks with this: we're early in the show and it's important to support Native arts. We complain about not having representation in popular media, and then when it gets here we bash it. I say let's give Reservation Dogs its due justice and support the show as it continues the season. For myself, I'm excited to see what Bear, Elora, Jackie, and Cheese encounter next--especially as the quirky side cast weaves in and out of their lives.