I’ve been promoting my writing on my Twitter account for a few months now.  Slowly but surely I’m getting more and more engagement and I’m nearing the cusp of 9K followers, and hoping to hit the 10K plus realm within a week or so.  One of my followers, and now a tried a true fan, read through each of my short stories and came up with an interesting descriptor of my writing:  hyperlocal.

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There are two things most dangerous:  apathy and stagnation.  For me?  The former leads to the latter.  It’s a cycle of violence I’ve always struggled to overcome.  It’s like when I’m gourd dancing with my family, and I’m trying to predict by cadence and rhythm the switching of the beat so I can anticipate the appropriate next move–a move which keeps me in sync with my community but ultimately with my choices.

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I like to think I’m too smart to be manipulated.  I have a Master’s Degree.  I’m an avid reader and writer.  Critical and creative thinking is my business.  Then I attend one of those Hollywood productions (of the better variety, like Life of Pi), and despite my knowledge of all those structural techniques I still find myself being moved, with the simple use of music and cinematography.  What?!  No.  Not me.

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When I watch movies, I tend to watch independents.  Sometimes I’ll watch the Hollywood independents, if it looks like they’re only going to modestly apply structuralism.  I like to think I’m savvy.  I don’t want to feel like I’m a monkey watching for bananas, which Hollywood has turned into a science.  If you don’t know how structuralism has put your brain on repeat for the last five decades, hit me up on the comments below and I’ll explain.  This post is for Hollywood’s newest charity:  Save the Rich!

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Let’s say you’re in the office and you’re telling a story about someone.  First you talk about what the person did. Maybe it’s something juicy, like a secret infidelity with a prison inmate, or maybe it’s something subtle, like they moved away from home.  Then you go on to tell about something more recent, like, “Just the other day she was caught using her work phone to talk to this guy in prison.”  This is the offbeat writing technique of the first person peripheral.

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